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Email vs. Social Media
Posted in Email Marketing, Facebook, Fan engagement, Music Marketing, Social Media on February 3, 2011
That sounds so confrontational, doesn’t it? Like the image should be an email envelope icon duking it out with the infamous blue Facebook F.
On the Social Media Today Blog today, Pam More explores the question “Best Choice: Facebook LIKE or Qualified eMail Address?“ Like Pam, I’ll go for the qualified email address every time.
I hold up the international touring duo Gypsy Soul as the poster children of fan engagement quite a lot, and for good reason. They’ve build a strong fan base over the past twenty years by going out and engaging their fans, truly loving them, and giving them a reason to want to stay connected.
Gypsy Soul’s Cilette Swann told me years ago, if you’re standing at the CD table and you have a choice to sell a CD to one person, or lose that sale and get the email address of other, let the sale go. When you have an email address from someone who wants to give it to you, you’ve made a lasting and much more valuable connection.
Check Gypsy Souls’ Fan Photos for just a glimpse into the lasting connections they’ve made over the years.
But, no one pays attention to their email anymore!
I don’t believe that. What I do believe is that we are inundated with so much email that we do discard what we don’t need at that moment, or what we have come to believe is not relevant to us. That’s the real definition of SPAM, by the way, which I lamented at length in a post earlier this year. Successful marketers deliver valuable content to an audience that wants to receive it. That’s relationship-based marketing, and it beats the “shotgun to everyone I can think of” approach every time.
Moore goes on in her blog post (which is worth reading in its entirety btw) to give her point by point reasons for picking the qualified email address over the Facebook LIKE. The one that resonates most with me is this:
“Likes” are good but the real value comes in your ability to inspire them to action past the “like.”Just because someone “likes” your page doesn’t mean they have ever looked at anything you’ve posted since the first day they clicked “like”. The majority of Facebook “likers” will never visit the page they liked again. It’s up to you to inspire your Facebook fans to further engage and join your community.
So that’s the key. How will you inspire your fans to take action, whether via Facebook or email?
Just say no to free iPads
Posted in Facebook, Internet Security, Privacy, Social Networking, Technology on January 31, 2011
The Free iPad Phishing Scam is back. In the past 24 hours or so, several friends have fallen victim. In case you haven’t run across it yet, here’s what it looks like.
There are no free iPads, by the way.
Because Facebook is where we interact with friends, it’s fertile ground for social engineering – an automated online con game of sorts in which a victim is tricked into breaking normal security procedures because the suggestion appeared to come from a friend.
This isn’t new. Phishing has been prevalent in email since day one – and as social networking becomes part of our daily lives, it’s no wonder that the phishing would find its way here as well. In fact, social networking channels seem tailor made for socially engineered phishing scams. The team of security researchers I worked with at FaceTime Communications (now Actiance) ran across these every day on all social networking channels – and corporate IT managers have been concerned about social networking for years.
If the iPad phishing link shows up on your page, first hover your cursor over to the right of the post until you see [X Remove this Post] and click that X. Do not click anywhere on the link, do not Like, do not Share, do not Comment, do not See Friendship.
Hacking vs. Phishing
The banter around Facebook is “your page got hacked.” In reality, however, this is phishing rather than hacking. Hemanshu Nigam, founder of security consulting company SSP Blue, explained the difference in last weeks’ LA Times article about Facebook Founder Mark Zuckerberg’s own page being compromised:
“Hacking is when you’re actually breaking the code — you have to hack into Facebook’s system,” he said. “It’s easier to exploit in through phishing,” he said “It’s also easy as a user of Facebook to be on guard and not click on a link you don’t think your friend would send.”
How Can you Tell?
Well, start with the fact that if its too good to be true, it probably is. Follow that with this: if it didn’t come from Facebook, its a potential danger. This was the case with last year’s Dislike Button. A good place to get the straight scoop is on the Naked Security Blog, where researchers from security software maker Sophos report on the latest bouts of malware and phishing scams as well as changes and updates to Facebook’s privacy and security settings.
In fact, following the Sophos Naked Security blog is Tip #1 in Make Use Of’s 5 Tips and Tricks to avoid Facebook Scams published earlier this year this month.
What if you DID click?
Graham Cluley from the Naked Security Blog will walk you through the steps to clean up the spam and check your Facebook settings to remove the applications that you may have unwittingly given permission to post to your wall.
The reality is, social networks are a gold mine for scammers, spammers and criminals. Just use your common sense, be a little suspicious, don’t give away login information or financial details, and be sure of where your’e headed before you click.
How to Prevent a Facebook Profile Hack
Posted in Facebook, Privacy, Social Networking on January 25, 2011
You’ve seen it happen, you may have even done it yourself.
We’re trusting of our friends, so we’re more likely to “click before we think” when we’re on Facebook. That’s what hackers depend on, and its called social engineering. If a stranger sends an email using questionable grammar and suggesting you click on a link to find out if you’ve won a large cash prize, well, common sense will usually prevail and you’ll delete the email immediately.
But when you’re on Facebook and a smiling friend posts a link that suggests you click to read more about a funny girl who is “so busted” for what she did on Facebook… that’s where the trouble begins.
How can you tell what you’re clicking on?
Buddy Miller’s song You Wrecked up My Heart includes one of my favorite lyrics of all time… “I should have looked both ways before I pulled out on the highway of your love.” I love Buddy Miller. Let’s use that same advice when we’re working online, whether its Facebook, email or surfing the Web.
Whenever you hover your cursor over a live link, you can view the destination URL of that link in the lower left hand corner of your browser, or email client screen. It lets you look both ways, so to speak, before you pull out on the information highway.
In the example below, two links have been shared to this Facebook Wall. The top link is a blog post from the Progressive Change Campaign Committee about Keith Olbermann’s departure from MSNBC. If you were on this Facebook page and hovered your cursor over the link itself, you’d see the full URL of the blog post on the lower left, as shown.
The bottom post is a Facebook social engineering hack. Well okay, I don’t know for CERTAIN because I didn’t click on it. But I’m suspicious. It promises laughs about whatever this girl did on Facebook that got her “so busted.” If you hovered over this link, you’d see what is called a referral link.
There are many services available that will shorten a long URL, such as the kind generated by blog posts like this one, and refer to the original page when it is clicked. TinyURL was the original service that has been around for awhile. Largely prompted by Twitter’s 140 character requirement, there are many link shortening referral services available including http://bit.ly which allows you to track who clicks on your shortened links.
Shortened referral links can be extremely useful. The problem is, you can’t tell where you’re going until you get there.
This is where you have to use your judgment, and think twice about your confidence in the destination of a referral link. Consider whether or not your Facebook friend would really post the story about the girl who is so busted.
How to Prevent Facebook Hacks
There are steps you can take to prevent Facebook profile hacking, or at least be notified if and when someone other than you logs onto your profile. Facebook allows you to associate your profile specifically with the computers you typically use, and will notify you if and when your account is accessed by a computer that you have not registered.
Mashable, a popular source for news about social and digital media, published a great article in May 2010, How to get notified when someone hacks your Facebook, with step-by-step instructions for implementing Facebook’s preventative measure.
And if you hover your cursor over the highlighted words in the previous paragraph, you’ll see the actual destination URL of the Mashable blog post.
If only it were that easy to check before you pull out onto the highway of love, eh?
The new Facebook Profile: its not about YOU
Posted in Facebook, Fan engagement, Social Media on January 20, 2011
… it’s about how YOUR AUDIENCE SEES YOU.
This has been a point of confusion since the new Facebook profile was rolled out late last year. Let’s be honest, a significant percentage of Facebook users are resistant to change. Here’s the thing: even if you delayed switching over yourself, everyone else has been seeing your profile in the new format all along. Why does that matter?
If you’re not paying attention, you’re not in control of how people see you online.
And that probably doesn’t matter so much to my cousin in Texas who logs on once in awhile to see pics of our family.But it matters very much to the millions on Facebook who are engaging fans, developing business relationships, connecting and networking in their fields whether its music, or spirituality, health and wellness, retail business or any other sector.
My husband Greg Newlon has what I think is the perfect explanation of Facebook: you’re sitting on your porch, and people walk by once in awhile. Sometimes they stay to chat, sometimes they just wave, and sometimes they see you even if you didn’t’ see them. Its all about connections, which is at the core of fan and customer engagement.
I just gave a workshop at the emPower Music and Arts Conference in Orlando Florida, to a group of mostly musicians. There were many ah ha moments among the attendees, but this one resulted in a hug, collective, eye opening ah HAAAA.
Linking your Facebook Profile to your Facebook Music or Business Page
Facebook now automatically creates a business page for every single employer that anyone has ever indicated on their Info page. And it links to them. And it displays this link right up top on your profile page.
If you’ve indicated your employer is something generic, like Self Employed Musician, Facebook will create a Business Page called Self Employed Musician and the link to that page will be active on your profile. So what? This can send people away from you and to a page that is either blank, or if its a more general term like Musician, the page will aggregate posts from your connections regarding that term, as well as external content.
Above, you’ll see the Self Employed Musician page from Facebook. 372 people “Like” this page. And there is no content.
You can’t control how Facebook designs the site. There are myriad Facebook pages and groups where you can complain about the new Facebook profile if you’re into that.
On the other hand, you CAN learn to understand and make the most of it.
If you have a Facebook Page for your music or your business, edit your info section to make sure you are indicating your employer as that Facebook Page. For example, our Musician/Band page is Bev Barnett & Greg Newlon. If I type in Bev Barnett & Greg Newlon as my employer, Facebook links to our page. as you see here:
If you work for a company that has a Facebook Page and you want to link to it, just plug in the name and Facebook will recognize it as a page. If you work for a large company that doesn’t have a Facebook Page, go ahead and enter that name because the Facebook Business Page is probably active – it will aggregate content from around Facebook as well as external sites like Wikipedia.
If you don’t have a Facebook Music Page or Business Page and you don’t want one, I suggest leaving the employer field blank. There’s no sense offering up a link to nowhere when those who’ve stopped by may just want to hang out on your front porch for awhile.
One man’s SPAM is another’s Roast Beef, right?
Posted in Email Marketing, Music Marketing on December 6, 2010
We’re on the brink of 2011 and the way we communicate is constantly changing. Facebook is launching new features yet again, designed to help us connect and converge according to our similar preferences. Gartner is predicting consolidation of business email and social network platforms as corporate enterprises embrace social networking.
Most (certainly not all) large enterprise marketers understand the rules and implications of the CAN-SPAM act. But the vast majority of small businesses, independent musicians, artists and arts organizations are just learning about email marketing. Many don’t even equate the mass emails they send with the dreaded SPAM. After all, OUR messages are pertinent and relevant, right? It’s just all those other people who need to stay out of our email in boxes.
Wrong. I’ve been added to countless artist and arts promoter email lists without my permission, no prior personal relationship and no way to opt out. They think they’re serving up a nice juicy roast … but to me, it’s just SPAM.
The worst part about this is not that I have to press the delete key, that’s easy. The worst thing is that these very well-meaning, creative people are wasting their time and energy when they could really be engaging in a beneficial email marketing program that would propel them ahead on their desired path.
The FTC Web site has an easy to understand, one page Common Sense Guide to CAN-SPAM. For the creative crowd, let’s look at the FTC’s guidelines one by one and relate them to arts marketing and the “gig announcement email.”
FTC SAYS: No false or misleading header information. Your “From,” “To,” “Reply-To,” and routing information – including the originating domain name and email address – must be accurate and identify the person or business who initiated the message.
BEV SAYS: You know those emails you get from your own email address? But its really about fake Rolex watches or pharmaceuticals? When you look at the email header you’ll see that its actually coming from somewhere else entirely. Like Russia. Just last month the man known as the “Russian SPAM King” was arrested in Las Vegas. We’ll see if that helps.
But this guideline also applies to the rest of us. Thank you to all the people who care enough about privacy to use the “BCC” line when sending mass emails from your regular email client. The worst offense, IMHO, is the email that exposes dozens of email addresses in the “to” line. I was once openly cc’d on a mass email that included Janice Ian. It’s not against the law, but please don’t do that. Also be aware that when you use the BCC line and especially when you send email to “undisclosed recipients,” you’re sending up a red flag for junk mail filters.
If you do choose to send email from your desktop or Web based client please don’t make your recipients guess who you are. I’m not kidding. I get announcement emails from “Deb” and “Megan” and “Paul.” I know dozens of Debs and at least 3 Megans and a few Pauls as well. Worse yet, are the ones that haven’t set a “real name” in their email client so the email comes from something like “musicboy324@aol.com.”
Sorry Music Boy, I’m not coming to your gig.
No deceptive subject lines. The subject line must accurately reflect the contents of the message.
Identify that the message is an ad. The law gives you a lot of leeway in how to do this, but you must disclose clearly and conspicuously that your message is an advertisement.
BEV SAYS: This one isn’t all that hard. Most of us aren’t trying to hide the fact that we’d love our fans and followers to come to a music or arts event. Don’t over think it.
Tell recipients where you’re located. Your message must include your address. This can be your current street address, a post office box you’ve registered with the U.S. Postal Service, or a private mailbox you’ve registered with a commercial mail receiving agency established under Postal Service regulations.
BEV SAYS: Get a PO Box or a box at your local UPS store. You’re behaving like a business, so you are a business. Embrace it.
Tell recipients how to “opt out.” Your message must include a clear and conspicuous explanation of how the recipient can opt out of getting email from you in the future. Craft the notice in a way that’s easy for an ordinary consumer – not just your general counsel – to recognize, read, and understand. Creative use of type size, color, and location can improve clarity. Give a return email address or another easy Internet-based way to allow them to communicate their choice to you. You may create a menu to allow a recipient to opt out of certain types of messages, but you must include the option to stop all commercial messages from you.
BEV SAYS: This is where so many musicians and volunteer presenters fall short. If you’re sticking with your email client and BCC messages, then add the line “if you would prefer not to receive future emails from us, please reply to this message with “unsubscribe” in the subject line.” And then actually do it, and let it go. Most of the time it’s not personal, it could be that they don’t want the type of information coming to that particular email account. It’s a good idea to give them an alternative way to update their preferences to give you an alternate email address.
When you use a commercial email marketing service this unsubscribe and update feature is included, and its automatic. You don’t have to worry about maintaining it yourself. Keeping a tidy list means fewer bounces, and a better chance that the people you are reaching are the ones who want to hear from you… your target market.
What’s more important than providing an unsubscribe option is NOT adding people to your list from industry directories – or emails you’ve harvested from others who didn’t use the BCC line. It doesn’t build good will, and its not worth it. You’re much better off building a list of people who are genuinely interested in hearing from you. I can’t’ tell you how often I’m added to an artist’s list because my name is in the directory of Folk Alliance or FAR-West attendees. Its not endearing, really.
Honor opt-out requests promptly. The law gives you 10 business days to honor a consumer’s opt-out request. Once people have told you they don’t want to receive more messages from you, you can’t sell or transfer their email addresses to other marketers.
BEV SAYS: Enough said.
“This means you!” CAN-SPAM makes clear – and recent FTC cases have further established – that you can’t “contract away” your responsibilities by hiring another company to handle your email marketing. Under the law, both the company whose product is promoted in the message and the company that actually sent the message may be held legally responsible. The good news is that compliance is easy; the bad news is that at $16,000 a violation, non-compliance is pricey. What’s more, the penalties skyrocket for certain aggravated violations – like email address “harvesting” and “dictionary attacks” – and may even include prison time for serious offenders.
BEV SAYS: The lesson for musicians and artists is that while you may want to farm out administrative tasks so you can concentrate on your creative process, you absolutely MUST understand and direct every aspect of your business. A musician friend told me she lamented to her hairdresser about how busy she was, and the hairdresser replied ” but you’re a musician… it’s not like you have a REAL job.” My musician friend said “no, it’s like I have FIVE real jobs.”
So how do you manage this very important piece of your business plan?
I’m going to approach this a bit backwards. First let’s look at your options for sending out large quantities of email:
- Keep your emails in the address book of your Outlook, Yahoo or GMail accounts and send BCC emails. (not recommended)
- Use a Yahoo or Google Group, or create your own announcement list with MailMan. (a bit outdated – people don’t like being forced to have a Yahoo or Google account just to hear from you.)
- Use a free email management system like Fan Reach from ReverbNation. (better… but you’ll look exactly like thousands of other independents who use it. Besides, I always say you get what you pay for.)
- Use a credible email marketing program like Constant Contact, Mail Chimp, My Emma, My Newsletter Builder, Vertical Response … there are many out there. (Best idea, you’ll also gain the ability to learn more about your audience)
So if the best idea is to use an email marketing program, yes, that means you’ll have to pay for it. It also means you’ll have some control over the level of service you receive. When you use free services, you get little in the way of support, control or recourse if the system goes down.
We’re talking about the platform you’re using to communicate with your most precious asset, your customers. This is an important investment in your relationship with those who support your ability to do what you love, after all.
And now that you’ve decided to invest in quality relationship building, its time to understand the ins and outs of how to build a list of fans and followers who want to hear from you. Then, you’ll want to build a plan for nurturing those relationships.
And guess what? That’s email marketing at its best.
Marketing, you say? But I’m an artist!
I’m creating a workshop geared toward helping musicians and artists get over their fear of marketing.
Maybe it’s the word “marketing” that makes it seem so sinister to most creatives. The funny thing is, the marketing discipline itself is an extremely creative function. Marketing was my primary creative outlet for the first 15 years of my adult life and I still love it. When planned and executed properly it’s all about relationship building, and understanding that your job is to make it easy for your audience to find you, know you and love you. They deserve that, because what you’re offering can fill their souls and change their lives for the better.
If you had an hour with a marketing expert who understood your creative drive, what would you want to learn more about? Email marketing? Building relationships? Finding your audience? Social media? Blogging? What to provide promoters? Working with the media? Something else?
I’d love to hear about it…
Live by the plan, or die trying
Posted in Music Marketing, Social Media on September 14, 2010
I’m nearing the end of my year-plus sabbatical from corporate consulting, as the shadows lengthen and the Oct. 21 – 24 FAR-West Conference draws near. I’m looking forward to jumping back into corporate blogging and social media, but I’ve really enjoyed working with my fellow musicians, counseling them on some marketing basics that I’ve taken for granted for twenty years.
I’m teaming up with new media guru (and children’s music performer) Gigi Johnson to present an Internet marketing workshop at the conference – we’ve only got an hour, so we tossed around some ideas on the phone yesterday about where to put our focus. So many of these music conference sessions are just as overwhelming for artists as social media itself. These musicians rush to sign up for every new social networking site becuase someone told them if they didn’t they’d be losing potential fans. Then they realize it all takes so much time, that they link their social networking sites together so they can look like they’re everywhere at once.
What’s usually missing is the plan. In corporate marketing we live by the plan… most musicians would rather die than spend time on the plan.
We figure the best thing we can do with our hour is show examples of how a little advanced planning and research to find out who their current fans are can pave the way toward building a strong fan base. The plan will be clearer, the road smoother and the blogging and social media tools will start to make a whole lot more sense.
Or so we hope.
Creativity and Collaboration
Posted in Creativity on July 2, 2010
I got some reading done on my vacation this past week. Instead of packing the latest social media marketing guru’s missive, however, I packed my brand new copy of my friend John Dillon’s “The 20 20 Creativity Solution,” and my autographed copy of Twyla Tharpe’s “The Collaborative Habit” which we bought when we attended her lecture at the Commonwealth Club last year.
These two books brought home a point that I’ve been struggling to put my finger on for the past year. Here’s my synopsis:
creativity does not restrict itself to just one path
Here’s what I mean by that. Creative people are creative no matter what they do. Some focus on what we typically label artistic endeavors such as music, songwriting, sculpting, painting… and some focus their creative minds toward solving science, social or political problems. But the creative source is the same no matter what your outlet is – and some people have multiple outlets.
I call it creative ADD… and I think I have it… and I think its okay.
Throughout my life I have bounced around between creative endeavors that fall into the artistic category: music, songwriting, sculpting, jewelry making, paper making… and I made my kids Halloween costumes and birthday cakes without patterns or instructions.
At the same time, that creativity was channeled into business projects – I managed PR for my first start up before I could legally toast its first product launch, and I’ve consulted with more than 30 start up companies since then both on my own and working with consulting agencies.
Add to that the household and remodeling projects. Cooking. Keeping kids occupied on long plane flights. Launching a music career at age 45.
Everything I approach, I approach creatively. I used to think that I was a left brain thinker because of my attention to detail and my tendency to be a bit anal (evidenced by the need to create Halloween costumes without patterns or instructions). I now realize that I’m the exact opposite – I’m an EXTREME right brain thinker. I’m looking at multiple big pictures all the time.
Yes, I still have the required left brain engagement to keep the balls in the air and check for dotted i’s and crossed t’s. But I love solving problems and the more creative the approach, the better I feel about it, whether its music, art or business – or a combination.
Checking in… and around.
Posted in Small Business, Social Media on June 24, 2010
I signed up for Four Square last week. I wasn’t going to, but curiosity got the best of me.
Sitting in the dentist’s office waiting for my son the other day, I was curious if Dr. DiTulio was on Four Square. Yep, so I checked in. But I also looked at what else was around the immediate area and up popped Shaing Hai Dumpling. My husband had just been saying the other day that we should go out for Dim Sum. I checked the tips on Four Square… then switched over to Yelp! to look at the reviews. After my own customer service nightmare, I’m all about checking peer reviews.
And I’m not alone. According to the Edelman Trust Barometer, 51% of people trust information coming from their peers more than they do information from companies (28%).
Referrals and online reviews are critical. Whether you’re responsible for an international brand or a local businesses, your reputation is your core asset, and you’d better be paying attention to what’s being said and be prepared to respond when customers have something to say about you.
Consider SonicBids, a service that brings musicians together with music promoters. SonicBids is under constant fire from musicians who question the integrity of these promoters, and SonicBid’s practices in the marketing of these ‘opportunities.’ My friend and fellow musician/marketer Bruce Kaplan posted The SonicBids Performers Manifesto on his One Man Brand blog. The first comment was posted first thing the following morning, by Panos Panay, founder and CEO of SonicBids. Those who have followed this controversy for the past several years know that Panos is known for paying attention. Maybe not so much for fixing the problems, but definitely paying attention. And as Bruce says in his comment reply, that is a first.
Google yourself, your brand, your store. Make sure you own your business profiles on Yelp!, Google Places, FourSquare and all the location-based review sites. Yes, its a pain, but its your reputation on the line.
But first try the steamed pork buns at Shaing Hai Dumpling. The Yelp! reviews were right on the money.
Reputation in the era of Social Media
Posted in Blogging, Public Relations, Social Media on June 19, 2010
I joke about the want ads I saw back in the 80s when I was looking for my first job in PR: “Work directly with customers, use your excellent public relations skills.”
As a profession, PR was coming into its own back in the 80s, building a reputation for providing quality consulting to senior management on issues of corporate branding and consumer mind share. We carefully crafted messages in keeping with our client’s goals, communicated these messages via print and broadcast media gatekeepers and measured success by evaluating how prevalent those messages were in resulting clippings. So the idea that public relations had anything to do with dealing directly with the public was a little silly.
We’ve now entered a new era, where customers drive brand reputation. Examples are everywhere… the BP Oil spill being the most visible at the moment.
But its not just multinational corporations that need to monitor their corporate reputation online. I recently had one of the worst customer service experiences of my life at a Bonsall’s Foot Solutions, a specialty shoe store here in San Jose. I’ve chronicled the whole story, and I’m continuing updates as I wait for my refund to be processed. The CEO was obviously monitoring Yelp! because he responded to me via personal email about 4 hours after I posted my review there, linking to my blog. I’ve got to hand it to him for that.
But he’s not out of the woods by any means. He’s got a franchise business with 250 stores, and some of those stores seem to be running afoul of his intended brand identity.
But reputation is everything. Perhaps he should read my friend Micah Solomon’s book “Exceptional Service, Exceptional Profit.” Micah built is business, Oasis Disc Manufacturing, from a basement enterprise funded with his personal credit card to one of the leading sources for high quality CD and DVD manufacturing for the music industry and corporate marketing as well. I can personally vouch for the dedication to customer service demonstrated by every person I came in contact with at Oasis, as they manufactured our CD Any Doorway Will Do.
Corporate culture always starts at the top. In the case of Oasis, I know that’s true. Micah is a straight up guy who wants to do the best job for you that he can, and that permeates throughout Oasis. I don’t know Foot Solutions CEO Ray Margiano, except for our brief email exchange yesterday. But it seems like his heart’s in the right place.
I hope he can turn his brand reputation issues around. He certainly seems to understand that thought he has a “PR problem,” it has to be genuinely solved by turning around the poor business practices demonstrated by these franchises – not by hiring someone to attempt a spin campaign to change public opinion. And that’s a great start.
The value of a tribe
Posted in Public Relations on June 4, 2010
Last week I went to a reunion of my fellow PR students from San Jose State University. The occasion was pretty cool – our class mate Jon Iwata was in town to give the commencement address at SJSU, and Dr. Dennis Wilcox hosted us at his home in San Jose.
It was a gathering of a tribe. An older, wiser tribe than the one that gathered in the pub at SJSU to plan the 1983 Public Relations Student Society of America Conference, but a tribe just the same.
I’ve been thinking about tribes lately. Communities, really. Groups of like-minded people with similar experiences, working together and helping each other toward common goals. Some of my favorite start-up clients have had that community feeling… you know, when you’re all in it together to achieve the best that you can.
As Conference Director for the FAR-West music conference, I’m currently working with a large community of musicians and the presenters, DJs and others in the business of promoting the folk and acoustic music that they create. I’m constantly reminded that everyone needs each other, and no single piece of this puzzle could exist without the others.
They say you learn how to work and play well with others in kindergarten. Probably true, but I think it really sunk in back in 1983 when I was on the planning team for that national PRSSA Conference.










